Super HD, Good Low Light Performance, Bags of Features…
Welcome to our in-depth, detailed and extensive review of the Go Pro HD Hero 3. This is the latest offering from a dynamic company that started 10 years ago with a vision of creating the world’s most versatile camera, and I think they are just about there!
The company is run by CEO Nicholas Woodman and around 300 employees, many of which are extreme sports fanatics which is great as they are able to give hands on and credible feedback to each new camera as it is released.
You will see Go Pro cameras everywhere.
Type Go Pro into YouTube and you will see footage from skydivers, scuba divers, snow-boarders, skiers, surfers, bikers, drivers, mountain bikers and many more sports people. Also, check out any episode of Top Gear in the UK and you will more than likely see a Go Pro attached to one of the cars as it speeds around their track.
Watch programmes such as “I’m a Celebrity Get Me Out of Here” in the UK and you will see contestants with them on their heads or chests. Even Felix Baumgartner had one strapped inside his Space-Suit when he leapt 128,100 feet back to Earth from Space in October 2012.
Interestingly, Go Pro cameras have now made their way into mainstream use as people like myself also use them to gain an advantage, when shooting weddings for example, by placing them in “hard-to-reach-with-a-normal-camera” places. I also have some crazy, inspirational and off-the-wall ideas for the future using my Go Pros.
So, now you know who uses these cameras, let’s talk a bit more about the camera itself.
HD Hero 3 – Specs
I am only going to review the Black Edition Go Pro HD hero 3 here as that is what I have but please note that there are two cheaper editions, the Silver and the White Go Pro’s, that also have lesser specifications. Go to Go Pro’s website for more information on those (personally, I would stump up the extra cash for the Black Edition…oh yes, I did)!
- Wearable, mountable design
- Immersive, wide angle capture of your favourite activities
- Professional quality HD video & 12MP photos
- Built-in Wi-Fi enables remote control via included Wi-Fi Remote or live video preview and remote control on Smartphones and tablets running the free GoPro app.
- Rugged housing is waterproof to 197’/60M and captures sharp images above and below water
- Compatible with all GoPro mounts for attaching to gear, body, helmets, vehicles and more
- Compatible with LCD Touch BacPac™ and second generation Battery BacPac™
- Backwards compatible with older generation BacPacs™
- New advanced camera settings: Looping video, Continuous Photo, Manual White Balance control, Protune Mode, allows to shoot photos while recording video and more.
- Professional 4K Cinema 15 fps / 2.7K cinema 30 fps / 1440p 48 fps / 1080p 60 fps / 960p 100 fps /720p 120 fps and more video capture
- 12MP photo capture with 30 fps burst
- Wi-Fi Built-In
- Wi-Fi Remote Compatible (included)
- GoPro App Compatible (FREE)
- 197’/ 60m Waterproof Housing*
- Assorted mounts and hardware included for attaching to helmets, gear and more
HD Hero 3 – First Impressions
My first thoughts when I took the Go Pro HD Hero from the box were “that is small”! I can’t believe that Go Pro have packed so much into this tiny little camera which is about the same size as a matchbox, it is now 30% smaller, 25% lighter and 2x more powerful and it shows.
As a stills camera, and after taking a few shots, I can take it or leave it…too random in its exposures and white balance for me although it works brilliantly as a time lapse camera. I would rather pick stills from footage and use those for the web than use the camera in most instances.
I have found that you really need to shoot stills in a well and uniformly lit environment to get the most out of it. Point and shoot is too hit and miss for my liking.
One of the first things I wanted to try, much like many who will buy this camera, was the 4k video albeit shooting at just 15fps. Also, shooting at 2.7k 30fps will be exciting as it will allow me to stabilize or crop footage and still get to 1080p resolution.
Alas, the only Micro SD card I had at first was a puny 2GB class 6 card which wouldn’t allow more than a few seconds recording at these super high resolutions. I ordered and have now received a 32GB SanDisk Ultra Micro SDHC-1 Class 10 card from Amazon and will be using that from now on.
Next was the housing…very neat. Obviously smaller than the Hero and Hero 2 casings but now fashioned with a nice flat port for the lens which will allow for much clearer, sharper footage underwater.
After reading stories of how the old rear case once came undone and a naked Hero 2 fell to earth from 10,000 feet (and survived), I was pleased to see that there is now a 2-point mechanism for opening the rear door. Once you get used to it…a piece of cake and quite reassuring although admittedly I have never had a problem with the old housings.
Next thing was to try the camera out real-time which leads me neatly into the rest of this hands on review.
HD Hero 3 – Sound and Low Light Comparison HD Hero 2 and HD Hero 3
I have read in a few forums that people are saying the difference in low light is barely noticeable and not worth the upgrade and cost. Also, that the sound is still poor.
Well, I have done a quick comparison in the video below to show just how different these two cameras are. When I first loaded the footage into my editing program, I thought I had used the wrong camera or an external mic on the Hero 3 even though it was only a few minutes previous…
WATCH IN HD!
I honestly think I could use this little camera for ad-hoc, quick blog entries without the hassle of setting up all my usual kit. What a bonus!
For me, this is further proof that shows just how versatile the Go Pro HD Hero 3 is and how many “non-extreme-sports” people will use it for other, more every day uses…myself included.
Here is some more footage of the camera attached to the front of my car in very low light at dusk in Weymouth. This blew me away…(best watched in 1080HD):
More Low Light Footage With Different Lens Fields of View – Wide, Medium and Narrow
As well as sticking the camera on my car at night, I thought I would test it out at the local “mini-funfair” to see how it coped with flashing, bright lights and low ambient light. I also tested the three different focal lengths (or fields of view), namely wide, medium and narrow as someone had asked if this was a genuine focal zoom or simply a digital zoom and crop.
I can safely say, judging by the results, that the narrow view footage is just as clear as the wide footage…nice one!
HD Hero 3 – Photo Comparisons
With the stills function, you are able to take images with the following resolutions:
- 12mp – Wide
- 7mp – Wide
- 7mp – Med
- 5mp – Med
If you are doing time lapse, you only need to use the 5mp setting unless you really want the wide angle.
As I have said before, the image quality when shooting stills from the Go Pro HD Hero 3 is a bit “hit and miss” depending on the light around you. This may be because I am a pro photographer and more used to the quality from the Canon EOS 5D Mark II but it is unfair to make any comparisons.
However, this camera does have a tiny sensor and packing 12mp into that sensor should tell you not to expect great things as a photographer from this camera.
Interestingly, this is where the 4k Cin Pro Tune 15fps video comes in handy. Why not take footage of whatever you are shooting and then pull a still from it?
A still image at 12mp from the Go Pro HD Hero 3 totals:
4000 x 3000 pixels in the 4:3 format
…whereas the still capture from footage totals:
4096 x 2160 in the HD format
Both of the images below are RAW using ProTune:
After working on these pics in Photoshop, amazingly the image pulled from HD footage was way better than that of the 12mp still! Look at the detail below with attention to the stone of the driveway…
100% Crop from 12mp still image
100% Crop from HD footage
For me, the image pulled from footage is much more useable than the actual still image in some cases (which also has some purple fringing) as there is more detail all round…food for thought! The footage pull image is a little soft but using the unsharp mask a touch, it has good detail and produces a decent, useable photo…
Go Pro HD Hero 3 Still Image from Footage Clip
100% Crop From Worked on Image
HD Hero 3 – Time Lapse
The time lapse feature on this camera works a treat. I have used both 1 sec delay and 0.5 second delays with great effect. Cloud movement looks incredibly smooth as you can see in the short video below. Of course, you can also have delays in various other delays:
If you use a larger image size for time lapse, you have more room to zoom in and out during processing to give a great impression of camera skill and trickery even when the film is processed at 1080p…nice.
HD Hero 3 – Slow Motion – 120fps and 240fps
This is one of the main reasons I upgraded to the Hero 3…slow motion!
I use slo-mo quite a bit in my work and after the disappointment of not seeing 1080p 60fps with the new Canon EOS 5D Mark III, I was delighted to see it on the Go Pro HD Hero 3.
Not only that, but the addition of 720p at 120fps and WVGA at 240 fps had me hitting the “buy now” button quicker than a rat up a drainpipe! Here is a quick, short video showing some various slow motion clips shot at 720p @ 120fps slowed down approximately 5x in post production:
Super Slow Motion
I also shot a few clips at WVGA resolution (848×480) with a frame rate of 240fps and then slowed it down 10x for super slow motion…excuse the clip at the end, I couldn’t resist! Best watched at 480p on this page (it won’t play high resolutions).
HD Hero 3 – 30 frame per second Burst
The title is a little misleading because not only can you take 30 high resolution stills in one second, you also have a wider selection of choices:
- 3 photos – 1 second
- 5 photos – 1 second
- 10 photos – 1 second
- 10 photos – 2 seconds
- 30 photos – 1 second
- 30 photos – 2 seconds
- 30 photos – 3 seconds
This is great if you want to create artistic images such as this:
Photo Credit: Ronnie Renner FMX / Go Pro
This was achieved by taking 30 images and then performing ancient skulduggery in Photoshop. Great pic!
HD Hero 3 – 4k and 2.7k
There is a lot of hoo-haa on the web as to whether these are useful or just a gimmick. Well, as you saw above, the 4k cine Pro Tune mode is good for pulling stills and also gives you 12fps. So, if you were at an event with fast action, you are better off shooting at 15fps 4k and pulling stills in my opinion.
Using the 30 in one second mode mentioned earlier, produced somewhat darker images for me. I suspect this is because in order to get such fast fps, a fast shutter speed is needed which will produce darker images once the aperture is wide open in certain lighting conditions…I think.
2.7k at 30fps is much more usable but why I hear you say when we still only have 1080p TV’s? Well, I for one, sometimes stabilize my footage in post production and by doing this, you need to crop out some of the image. When shooting 1080p footage, this means when I render out, I either need to render to 720p or lose some clarity and detail at 1080p.
Shooting 2.7k and cropping still leaves lovely 1080p footage after stabilizing.
The Go Pro HD Hero 3 now comes with Wi-Fi built in as standard…Yay! This means you can add the extra battery pack AND have Wi-Fi without having to make the compromise. The trouble with the Hero 2 was that I had to choose one or the other depending on the shoot.
Of course, like its predecessor, you can also operate the HD Hero 3 via your smartphone, Android or IOS.
The waterproof remote control unit comes with the Go Pro HD Hero 3 so no extra purchase is necessary although the Hero 3 is substantially more expensive than the Hero 2. Operating the camera via remote is a cinch and so handy for many situations. You can just leave the Wi-Fi on and switch the camera from ON to OFF in a second or two.
Having the Wi-Fi built in to the already tiny body will be a bonus for those wanting to keep the camera as small and light as possible. All I would like to see now is live streaming added as a possible firmware upgrade at some point like the top of the range Contour.
PITA’s? (Pain in the a**’s) – Battery life is poor because you are shooting more power hungry specs (higher frame rates etc). New cards required, and make them class 10 or higher as larger resolutions and quicker frame rates won’t work so well with slower cards. New Micro HDMI cable needed to plug into your HDTV. Nothing much more to whinge about…great camera!
More Power Needed?
Edit: Since writing this, I have found and bought a workaround regarding the battery power and can now get 9 hours or more from a single charge…check out my review of the Anker Astro 5600 battery pack and charger.
You want more? Ok. I think this is one of the most exciting and advance gadgets to hit the market in years and if you use your imagination a little, the possibilities are amazing (how about shooting 360 degree footage with 4 Go Pro’s?).
Whether you are an extreme sports fan, amateur videographer or professional imaging geek, this camera should find its way into your kit bag at some point…it would be rude not to!
You can buy the Go Pro direct from:
Direct from Go Pro – GoPro® HD Motorsports HERO™ Camera
This is a cool book on mastering any Go Pro camera:
Micro HDMI cable (to live-link to a HD TV)
The Frame (great for keeping Go Pro out of housing for better sound and clarity)